Hi Mani and all,
Since I've been working with glass but know little about it, I am wondering if you'd enjoy it if I share my findings on it as I go along. My time is short but I could add little bits at a time.
Should this not be Objective Art as you enjoy it, please feel free to take it off as soon as you like.
Tonight I found the following in wikipedia http://en.wikipedia.org/wiki/Stained_glass and remembered the importance of these substances for Steiner in Agriculture so I looked it up and am much enjoying the relationship between two completely different spheres but so similar in their own way. Silica and lime on plants and color and light plus content on human beings:
From the 10th or 11th century, when stained glass began to flourish as an art, glass factories were set up where there was a ready supply of silica, the essential material for glass manufacture. Silica requires very high heat to become molten, something furnaces of the time were unable to achieve. So materials needed to be added to both modify the silica network to allow the silica to melt at a lower temperature (potash, soda, lead), and then to rebuild the weakened network (lime) and make the glass more stable. Glass is colored by adding metallic oxides while it is in a molten state. Copper oxides produce green, cobalt makes blue, and gold produces red glass. Much modern red glass is produced using copper, which is less expensive than gold and gives a brighter, more vermilion shade of red. Glass colored while in the clay pot in the furnace is known as pot metal glass, as opposed to flashed glass
Steiner saw that the digestive, nutritive patterns of the soil revolve around lime, whereas the patterns of the atmosphere revolve around silica. His basic remedy for the atmosphere was finely ground quartz crystal, buried in a cow horn over the summer. Normally this is applied at the rate of a gram per acre, stirred for an hour in water, and misted into the leafy, fruiting region above the soil in the early morning. It provides excellent patterning for the atmosphere. When you think about it, silica forms many of the finest particles in the atmosphere. While it would be dangerous to pump tons of micron zed silica into the atmosphere, spraying a mist patterned with a homeopathic dose of horn quartz has a remarkable organizational effect.
Organization is, after all, the basis of life — organ, organic, organize, organism.
Silica, in its pure form as quartz, is a superb vehicle for patterns. Once I began to understand patterning, I could see Steiner’s remedies were pure genius, as they worked with homeopathic Organizational patterning. The so-called BD preps included silica patterns for the atmosphere and lime patterns for the soil. In between were the patterns of clay, which affected the ebb and flow of sap between soil and atmosphere. Clay was the bridge between the two extremes.
Organization is, after all, the basis of life — organ, organic, organize, organism.
Silica, in its pure form as quartz, is a superb vehicle for patterns. Once I began to understand patterning, I could see Steiner’s remedies were pure genius, as they worked with homeopathic Organizational patterning. The so-called BD preps included silica patterns for the atmosphere and lime patterns for the soil. In between were the patterns of clay, which affected the ebb and flow of sap between soil and atmosphere. Clay was the bridge between the two extremes.
Silica –. Silica helps enhance the light metabolism of plants, aiding in the resistance to fungal dis-ease and chewing insects. The bd 501 also helps to encourage the growth of mycorrhizal fungus within the soil.
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